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THREE
PATHS
2017,
33:17 min.
a
film by Emerson Culurgioni Jonas
Matauschek Nicolas Rossi
Not
long ago, three world-famous film-makers who
all played an important part in film history
died. Their work had a strong influence on art
academy graduates Culurgioni, Matauschek and
Rossi’s own creative work. The film-maker’s
decease marked an end to something for the
graduates - a kind of moral or spiritual
support they had sought in them, perhaps - but
also marked the beginning of something new.
Their film “Three Paths” is a kind of funeral
march starting at the film-maker’s graves in
Paris (Chris Marker), Zurich (Peter Liechti)
and Berlin (Harun Farocki). It follows three
different, individual ways of saying farewell
to their idols, the paths meeting up in the
middle - physically, and spiritually. This
intersection of roads promises only to be the
physical meeting-point of the art school
graduates, but this path they are going down
turns out to be a road leading down their own
past, reflecting on the choices they have made
so far, which paths they have gone down, which
turnings they have taken - and where they are
leading them to. All three paths are as
diverse and individual in their sights and
insights as in their filmic art. What will
happen to the travellers on their way to the
meeting-point? Will they be pondering on their
own point of view of things, the influence of
the deceased film-makers on their work and on
the language of film altogether, on their
contribution to the graduates’ own viewpoints?
These thoughts, combined with the people they
meet along the way and the situations their
paths lead them into, are condensed into a
film essay titled “Three Paths” - whose
message cannot be conveyed in advance.
The
three directors use one filmic medium each:
Culurgioni works with sound, Matauschek with
video and Rossi writes. Sound, video and text
are merged into one in postproduction to
create the film essay as a whole.
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